A brand new, multidisciplinary MIT graduate program in music know-how and computation will function school, labs, and curricula from throughout the Institute.
This system is a collaboration between the Music and Theater Arts Part within the College of Humanities, Arts, and Social Sciences (SHASS); Division of Electrical Engineering and Laptop Science (EECS) within the College of Engineering; and the MIT Schwarzman School of Computing.
“The launch of a brand new graduate program in music know-how strikes me as each a essential and a provocative gesture — an necessary leap in an period being quickly redefined by exponential progress in computation, synthetic intelligence, and human-computer interactions of each conceivable variety,” says Jay Scheib, head of the MIT Music and Theater Arts Part and the Class of 1949 Professor.
“Music performs a sublime position on the fore of a exceptional convergence of artwork and know-how,” provides Scheib. “It’s the best time to launch this program and if not at MIT, then the place?”
MIT’s practitioners outline music know-how as the sector of scientific inquiry the place they research, uncover, and develop new computational approaches to music that embody music info retrieval; synthetic intelligence; machine studying; generative algorithms; interplay and efficiency techniques; digital instrument design; conceptual and perceptual modeling of music; acoustics; audio sign processing; and software program improvement for artistic expression and music functions.
Eran Egozy, professor of the follow in music know-how and one of many program leads, says MIT’s focus is technical analysis in music know-how that all the time facilities the humanistic and inventive points of creating music.
“There are such a lot of MIT college students who’re fabulous musicians,” says Egozy. “We’ll method music know-how as pc scientists, mathematicians, and musicians.”
With the launch of this new program — an providing alongside these obtainable in MIT’s Media Lab and elsewhere — Egozy sees MIT turning into the plain vacation spot for college students occupied with music and computation research, making ready high-impact graduates for roles in academia and trade, whereas additionally serving to mould artistic, big-picture thinkers who can deal with giant challenges.
Investigating huge concepts
This system will embody two grasp’s levels and a PhD:
The Grasp of Science (MS) is a two-semester, thesis-based program obtainable solely to MIT undergraduates. One semester of fellowship is mechanically awarded to all admitted college students. The primary class will enroll in fall 2025.The Grasp of Utilized Science (MAS) is a two-semester, coursework-based program obtainable to all college students. One semester of fellowship funding is mechanically awarded to all admitted college students. Functions for this program will open in fall 2025.The PhD program is on the market to all college students, who would apply to MIT’s College of Engineering.
Anna Huang, a brand new MIT assistant professor who holds a shared school place between the MIT Music and Theater Arts Part and the MIT Schwarzman School of Computing, is collaborating with Egozy to develop and launch this system. Huang arrived at MIT this fall after spending eight years with Magenta at Google Mind and DeepMind, spearheading efforts in generative modeling, reinforcement studying, and human-computer interplay to help human-AI partnerships in music-making.
“As a composer turned AI researcher who makes a speciality of generative music know-how, my long-term aim is to develop AI techniques that may shed new mild on how we perceive, study, and create music, and to study from interactions between musicians with a purpose to remodel how we method human-AI collaboration,” says Huang. “This new program will allow us to additional examine how musical functions can illuminate issues in understanding neural networks, for instance.”
MIT’s new Edward and Joyce Linde Music Constructing, that includes enhanced music know-how areas, may also assist remodel music training with versatile efficiency venues and optimized rehearsal amenities.
A pure house for music know-how
MIT’s world-class, top-ranked engineering program, mixed with its concentrate on computation and its conservatory-level music training choices, makes the Institute a pure house for the continued growth of music know-how training.
The collaborative nature of the brand new program is the most recent instance of interdisciplinary work occurring throughout the Institute.
“I’m thrilled that the College of Engineering is partnering with the MIT Music and Theater Arts Part on this necessary initiative, which represents the convergence of assorted engineering areas — reminiscent of AI and design — with music,” says Anantha Chandrakasan, dean of the College of Engineering, chief innovation and technique officer, and the Vannevar Bush Professor of EECS. “I can’t wait to see the progressive tasks the scholars will create and the way they are going to drive this new subject ahead.”
“Everybody on campus is aware of that MIT is a superb place to do music. However I need folks to return to MIT due to what we do in music,” says Agustin Rayo, the Kenan Sahin Dean of SHASS. “This excellent collaboration with the Schwarzman School of Computing and the College of Engineering will make that dream a actuality, by bringing collectively the world’s greatest engineers with our extraordinary musicians to create the following technology of music applied sciences.”
“The brand new grasp’s program affords college students an unparalleled alternative to discover the intersection of music and know-how,” says Daniel Huttenlocher, dean of the MIT Schwarzman School of Computing and the Henry Ellis Warren Professor of EECS. “It equips them with a deep understanding of this confluence, making ready them to advance new approaches to computational fashions of music and be on the forefront of an evolving space.”
